Here is my summary of "Why Should I Teach Kids to Sing". Sorry it is kind of late. video up comming
"Why Should I Teach Kids to Sing" by Marcia McCarry talks
about the basics to early childhood pedagogy and who, when, how, what and why to
teach at this early age. McCarry says the "who" is any child who shows
a love for singing, and interest in taking lessons. These are usually children who are singing
constantly throughout the day as a natural behavior. When to start depends on the level of
interest; kindermusik classes can begin as early as two or three years old and
generally go through kindergarten or first grade. After that individual lessons can begin if
the student still shows interest. As for
"how" McCarry reminds potential teachers that most children use their
lower voices to begin with and suggests sirens and descending slides to work on
head voice for both boys and girls. She
gives several suggestions for early repertoire books such as Kids Stage and
Screen by Louise
Lerch, and says that children can even be a part of choosing their own music. Teachers
can focus on "what" to teach children such as respiration, phonation,
resonant singing, diction, and expression, just like older students. McCarry suggests that music reading can be
learned at home through a computer program so as not to take time away from
singing during the lesson time. She emphasizes that praise is a key component
to teaching young children and their hard work should be encouraged both in
studio and at home. The "why" seems to be because there are children
out there who want to learn and because “singing is a learned behavior; it is not
some type of gift bestowed upon a talented few”, according to Kenneth Philips
author of Teaching Kids to Sing. It is important for teachers to be
available to young students because both the student and teacher grow from the process
and what a joy to the teachers to aid students in doing what they want to do
most.
Have recordings for the child to listen to as they practice is a great idea. And I love the idea of parents having their kids putting on mini recitals for the family. Kids love showing off.
ReplyDeleteThe one thing I didn't agree with was not focusing on theory in the lesson. Yes, theory can be boring but there are ways to teach it that are applicable in the lesson and can be fun. Besides how many children do you know that practice their music, let alone practice theory?
This is great, I didn't realize kids should start singing so young. I like the vocal drills the young kids should start with. This will really help develop stronger cords.
ReplyDeleteThe concept of teaching children to sing can be a heated topic. I will be interested to have a discussion about this in class today.
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ReplyDeleteInteresting. I like Ashlee's point that theory can be well integrated into lessons sometimes; I would see theory at home as more of a supplement.
ReplyDeleteAlso, the other article about children singing at a young age brought up the fact that there isn't really any research done about children singing and developing technique at this age; it'll be interesting to see if more conclusive research on this comes out.
Lots of cool things. I don't really agree with the whole 'computer teaching kids' kinda thing. I think it's pretty important to do hands on work with kids in their early stages of learning.
ReplyDeleteHowever, learning melodies by recording is smart. That would definitely take away from having learn notes in rehearsal and leading toward the final product quicker.
I'm intrigued by the idea of teaching music theory on a computer program. I believe it is so important to teach music reading, that whatever means the student learns the skill must be incredibly thorough. I could see an interactive, colorful, interesting computer program atracting student's focus and attention, and could probably work fairly well to teach music! I wouldn't be opposed to that if the program was thorough.
ReplyDeleteI think it's definitely a topic that needs more research. At what point do you encourage them to aim for a 'mature' sound? 16, 17? earlier? Before that I think they should be encouraged to sound young, to sound their age. It's not even the physical condition of the cords I worry about, more the emotional and mental damage that can be done that young. Trying to make sounds they're just not capable of yet and getting all the wrong impressions of how to get there. And they just sit there day after day, crying at the piano, screaming in front of the mirror, because they know deep down they're not a mezzo and somewhere inside them there's a voice that's not ready yet but it needs to be heard, unleashed, set free!! Just for example.
ReplyDeleteI think it is important for students to aim for a sound that is appropriate for their age. "O mio babbino caro" may be a beautiful song, but is it really appropriate for a a 12-year-old to sing it? At what point is it appropriate? I Think it is important to research children's voices so they can have a point of reference in terms of recordings.
ReplyDeleteI like how the author supports kids starting to take lessons at even a very young age, as long as they are interested. I started taking piano lessons (obviously different from voice) when I was 4, almost 5 and fortunately, I had a teacher who didn't think I was "too young" and who was willing to teach me. This lead to being extremely interested in singing as well and I think that, as a teacher, you should decide when to start teaching a kid purely based on that kid- not on a standard age.
ReplyDeleteI encourage singing no matter the persons age. It is just important to remember that a young child, is indeed going to sound young and that is okay! It's not necessary to force a student to cover their sound or change it in order to sound more mature. It's more important to sound their age, maturity in the sound will come with age and experience. As long as the child is interested and will take something positive away, voice lessons or any type of musical lessons should be highly encouraged.
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